Dear Fellow Rare Birds-
I've been tapped to moderate this year's Bouchercon Noir
Panel up in Anchorage. Since I just received word from my pal
Ken Bruen that he has to drop out of B'con this year (health
reasons), our panelists this year will include:
Rara Avis' own Vicki Hendricks Bill Cameron (author of LOST
DOG) Sean Doolittle (most recently author of the
Anthony-nominated THE CLEAN-UP) Julia Spencer-Fleming (author
of a series about a female parish priest in Appalachia who
has an affair with a married cop in her small town. I confess
that I haven't read anything by her yet, although I'll have
finished her latest by the time B'con rolls around)
This year's noir panel theme is going to revolve around why
people write what they write (thanks for your answers to the
questionaire, Vicki. Quite illuminating), why some people who
don't consider themselves noir writers are considered "noir"
by others, how the explosion of "neo-noir" and the subsequent
hot commodity status of noir fiction has spawned an
"everything's noir now" marketing movement within publishing
itself (in just one step in the never-ending quest to
sellsellsell), with the results that the concept of "noir"
fiction has been abused so badly that the definition itself
is almost meaningless in the opinions of many.
For example, I know an author with a medieval mystery coming
out next year that she is billing as a "medieval noir." When
I asked her why it was "noirish" and not, say, "gothic," she
allowed that it was more "hardboiled" than "noirish," and I
was and remain skeptical about that. Obviously, I haven't
read it yet, but it did get me thinking.
So I'll be asking some leading questions of our worthy
panelists, some of whom consider their own work noir, and
some of whom don't. Most of whom have fans somewhere who
consider their work "noir," or at least "noirish," and then,
like a good moderator, I'll be getting out of their
collective ways and letting them shine.
If you're coming to B'con I sure hope to see you at the panel
(or afterward, maybe in the bar). Whether or not you're
planning on attending the con, I'd welcome thoughts from any
of our merry band who are interested in addressing the above
notions. Bear in mind that I'm not invested in the notion
either way, and can certainly see many sides to the question
of the status of what consitutes noir these days. I'd just
really love some input from you folks.
After all, I learn so much just from being a member of RA, a
lot of it from those worthies with whom I often disagree the
most. For that, I am profoundly grateful.
All the Best-
Brian Thornton
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