> It might be great -- but
>it's just not the same thing. "Moving forward",
after
>all, is not an unmitigated good: you might
move
>yourself right out of the genre.
But it is difficult (no, let's say not so important) for
contemporaries to really worry about things like moving out
of the genre. It implies the concreteness I mentioned
earlier, and as long as something is still being practiced,
do we really have walls for it yet?
When forms fade or die, then we can see how far the reach
actually extended before it spread itself too thin.
Neil Smith
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