Re: RARA-AVIS: Modern Writers, Old Settings

dspurlock@humana.com
Mon, 4 May 1998 08:25:35 -0400 <<The same for the
new Delacorte approach to Elmore Leonard, creating a unified look for his
work in new hardcovers and the trade paperbacks.

I think pulp/crime/noir art is important and fascinating, and tying good
examples of this to hardboiled genre books could only help the endeavor.>>

Cover art has almost always been important to pulp and crime writing. Just
look at the way Gold Medal unified its line in the early-to-mid-1960s with
artists such as Robert McGinnis: Once you saw one of his lovelies on a PB
cover, you had a pretty good idea of the type of book you'd be buying --
Travis McGee, Matt Helm, Sam Durrell, et al.

Nowadays, you rarely see such across-the-board similarities for all the
titles from a single publisher or imprint. Instead, publishers will link
works from a single author with a similar graphics style. (The move from
illustration to graphics is worthy of another discussion, I'd say.) For
instance, the new Travis McGee reprints have a colorful graphics style
running across the entire series. The bright color schemes reflect
MacDonald's COLOR motif for the series' titles and the frequent
tropical/Florida settings, but I don't necessarily think the graphics
emphasize the fact that the novels are usually crime/adventure stories.
However, if you take into account the covers for other novels in the
"Southern Crime" sub-genre -- Shames, Hiaason, Willeford, Leonard, etc. --
you'll see the bright Travis McGee graphics fit right in; in this respect,
a reader who enjoyed one "Southern Crime" novel and is looking for another
one will probably "recognize" the graphics style and pick up a MacDonald
novel.

(A brief aside: Does anyone know if the publishers plan on reprinting John
D.'s non-McGee hard-boiled stuff after they complete the McGee run?)

(And why, for goodness sakes, are they running the SAME introduction in
EVERY one of the McGee novels they're reprinting? Don't they figure someone
will read more than ONE McGee story? We all know they're addictive.)

One other point: I don't think C.J. Henderson's P.I. novels were well
served by the cover graphics that Avon (?)/Berkley (?) used when those came
out a few years ago. Apparently sales bear this out, since I haven't seen a
new novel from this writer lately. Of course, I'm betting the writer gets
blamed, not the art director. --Duane

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