RARA-AVIS: Modern Writers, Old Settings

Frank D (bearlodge@email.msn.com)
Fri, 1 May 1998 13:43:22 -0700 Duane Spurlock poses an interesting question concerning modern writers and
near- term historical periods. For a long time I've carried a story in my
head. The setting is Tacoma, Washington and the time is 1936, part-way
through the Depression. A time of Hollywood-on-the-Flats (tar paper shacks
built by indigents - no, we called them bums or hobos - see the problem),
county gardens producing producing cheap vegetables, people out of work,
etc. The research would be staggering, from clothing and cars to language,
slang and social attitudes.

As Mario says, it's a real challenge for anyone who writes a novel set in a
historical period. Certainly Max Collins has done an excellent job of it,
but has kept to a single historical period. I particularly like Loren
Estleman's five "Detroit" novels. Each moves into a new historical period
and it must have been a real challenge for Loren to get it right, beginning
with WHISKEY RIVER set during Prohibition days. Of course, Loren also
writes westerns and so is comfortable with the research required where there
are a lot of things to be concerned about.

I'm sorry that Anthony was put off by the covers of Robert Skinner's books.
I recently read BLOOD RED, SKIN DEEP and enjoyed it very much. There is New
Orleans police graft and corruption and an unusual relationship between a
police officer and a young man on the low end of the criminal scale, owner
of bars and cardrooms and a whore house. I recommend it highly.

I haven't read Ellroy's L.A. Quartet; only THE BLACK DAHLIA and that was so
long ago that I can't vouch for the authenticity of its historical time. I
don't recall anything jarring and suspect that Ellroy is a careful writer
who would pay attention to such. I'll say more about Ellroy when I give you
my take on HOLLYWOOD NOCTURNES.

Cheers, Frank D.

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