Miskatonic University Press

framework part 2

art conferences field.recordings podcasts

Part two of “France Audio Montage” is episode #693 on framework radio, just released today. For all the details, see this post about episode #691 a fortnight ago.

Craquelure on a painting by Jacques-Louis David in the Louvre.
Craquelure on a painting by Jacques-Louis David in the Louvre.

Many thanks to Patrick McGinley for running it. It’s an honour to be part of the series. If you don’t already listen to the show, do try it. You’ll hear great things.

Tin trunk


When I was up in Ottawa last week, at the Navigating the Reorganization conference, during a lunch break I went out for a walk with Jane Schmidt, Patti Ryan, and another librarian whose name I have completely forgotten (sorry). We had a nice wander down Lyon Street and back up Kent, where we passed by highjinx. I always like to look in antique and vintage stores, and I’m very happy we went in.

I’ve been wanting to get a lockable metal trunk for a couple of months, and I thought I’d have to get one at the Tire or some place like that. But upstairs there were two stacks of suitcase and trunks, and one was this:

Here’s the top:

A label still attached to the handle shows that David Wilson took it with him when he travelled first class on the Cunard ship RMS Franconia from Le Havre to Montreal in April 1965.

Inside, a page from the 03 February 1930 issue of the Singapore Free Press is stuck to the bottom.

Top left is an ad for what’s on at the Raffles Hotel (“Mura Smirnova, the well-known dancer from Shanghai” and “Murray, the Australian escapologist” were performing), and below that an ad for a Remington Portable typewriter.

And it has a key and it locks.

I was in a rush and didn’t stay for long or get to chat to the people there, and I didn’t clue in to what it’s all about. Next time I’m back in Ottawa I will definitely go back.

Sheaffer Snorkel Admiral


At the Scriptus Pen Show on Sunday I bought a vintage pen: a black Sheaffer Snorkel Admiral. It’s light and slender; at 12 cm long it’s the same as a Lamy Safari but weighs noticeably less.

Sheaffer Snorkel Admiral
Sheaffer Snorkel Admiral

(That’s not a very good picture, I know, but it’s night time and I don’t have one of those little photo boxes. A Duck Duck Go image search will turn up a lot of much better photos.)

There were three other very nice vintage pens I had my eye on, but this one fit my budget ($80, though apparently it was $10 USD when it was new sixty years ago) and the filling mechanism is so strange I couldn’t pass it up.

Sheaffer Snorkel 1952-1959 has all the details about it, with pictures.

In 1952 Sheaffer introduced the Snorkel pen line, which is recognized today as one of the most complex filling mechanisms ever made. The pen was supported with a heavy advertising campaign, proclaiming its clean “dunk free” filling and ease of use. Sheaffer’s early advertisements focus on the filling system, often showing the Snorkel extended and comparing it with hummingbirds or straws to get the point across. Later in the 1950s Sheaffer enlisted celebrities to sell the pen: famous actors such as Jackie Gleason, sports figures such as Jack Dempsey, and cartoonists such as Al Capp.

The insides of this thing are very complex! This video shows how it works.

I bought it from Fifteen Pens, which is Scott Newman, up in Ottawa. He explained all about how it worked inside. He’d restored the pen and guarantees it for a year, so I couldn’t pass it up. I think this pen will become a regular for me when I need a fine nib.

Further to the last post


Three short notes following on from Navigating the Reorganization report.

First, about the train. It took four hours and twenty minutes for the train to go from Toronto to Ottawa with Via Rail. It took five hours to come back, because we stopped at all the stations along the way, and then in Scarborough there were unexplained “mechanical difficulties” that kept us moving at 10 kmh for a long time. I always expect Via trains to be late. Even when they’re running on time, it’s annoying when the train comes to a stop so a freight train can pass by. A freight train! Via runs the train, but CN owns the tracks.

This year and last I was lucky enough to travel on high-speed trains in Italy and France. They are amazing. Naples to Rome, at 300 kmh, starting and stopping on the exact scheduled minute, with a very smooth ride—far smoother than on Via, where you’re always worried your drink is going to slop out of the cup and onto your lap, your book or your computer.

From Toronto to Ottawa direct, as the crow flies, is 300 km. So a proper high-speed train (on brands new tracks) could do the trip in one hour. Or, if it stuck to the current route of going over to Kingston and then north, which is 425 km, it would take about 90 minutes. One-and-a-half hours instead of four-and-a-half! Air travel would be much less popular.

Canada’s public transport infrastructure is in sad shape. We need large government projects to make it much, much better, including high-speed trains all along the Windsor–Toronto–Kingston–Ottawa–Montreal–Québec routes (to start).

Second, every trip to Ottawa is a delight because I get to see Barnett Newman’s Voice of Fire again. I’ve featured it four times on Listening to Art, and will again very soon.

Third, I highly recommend both the Play Wine Bar (for fancy food and wine; sit at the bar if you can) and the House of Targ (for perogies, beer and video games).

Navigating the Reorganization

libraries solidarity

I’m on my way home from Ottawa where I was at a conference run by the Canadian Association of University Teachers (CAUT), which is made up of faculty associations and unions across the country. Individuals aren’t members, organizations are. I’m a member of the York University Faculty Association (YUFA), which is a member of CAUT. YUFA paid my way (and Patti Ryan’s), and so I need to write up a report, which I’m doing while everything is fresh in my mind. I’m rolling through Ontario on a train while listening to Philip Glass’s Music in Twelve Parts. Ideal! Please forgive any oversights or infelicitous phrasings.

The conference was set up by the Librarians’ and Archivists’ Committee, which I was on for a three-year term that expired in the spring. I really enjoyed it. It was fascinating to learn how different things are for librarians and archivists across the country. The others on the committee were a really fine bunch of people! I learned a lot, and was happy to be part of writing the bargaining advisory that came out earlier this year. Also, everyone I met who works at CAUT was absolutely top notch. There are real experts there.

I encourage all academic librarians and archivists in Canada who are at institutions that are CAUT members to get involved with it—not necessarily on the L&A committee, you can go for the academic freedom committee, or any of the others. The conferences are open to everyone, and well worth attending. Ask your association or union to pay your way! Join their mailing lists (through your local association).

The theme was “Navigating the Reorganization.” There’s a trend across the country now for academic libraries to reorganize and set up new organizational structures and reporting lines. (It’s happening where I work, at York University Libraries, as described here. We’ve spent about three years on it and we’re not finished yet. This is not uncommon.)

Water condensing
Water condensing


There are various reasons why this is happening. One, I think, is that all the universities set up in the 1960s had much the same structure and approach to work: a “liaison” model, where there’s a history librarian, a psychology librarian, a business librarian, etc., and they each do everything for that subject: reference and research support, instruction in class, relations with faculty, collection development, etc. There would also be some cataloguers and some archivists. This model grew over the years but then became paralyzed with the increasing attention to digital methods and scholarship. In that structure you might have a committee for scholarly communications, but it’s not anyone’s real job, so little gets done. And if you hire an expert on research data management or open educational resources (OERs), there’s no proper home for them, so anyone hired will have a very hard time of it. (See Dorothea Salo’s astonishing masterpiece How to Scuttle a Scholarly Communication Initiative (Journal of Librarianship and Scholarly Communication, 2013) for a demolition of this and more.)

The new structures generally put people into “functional” roles, where they have jobs focused on OERS, scholarly publishing, collection development, information literacy, open access, etc. The subject expertise and liaison work is now secondary. That’s a problem, certainly, but the new model does mean the library can devote real resources—people and time—to open access, open scholarship, digital preservation, and so on. If we’re going to change how scholarly publishing works and build national infrastructure so that all publicly-funded research is freely available to everyone without privately-owned publishing companies making extortionate profits off our free labour, you can’t do that by going to a committee meeting twice a month.

Another reason is that universities are now being run like businesses. Everything you’re heard about corporatization of higher education, rampant managerialism, administrative bloat, and neoliberalism (where everything is valued only by money) is true. Also, administrators all talk to each other, so when one place restructures and gets a new associate university librarian (AUL), another university librarian (UL, sometimes called the Dean of Libraries) thinks, “Hey, that looks great. If we restructure, not only can we finally get on with all that digital stuff, I’ll have a big accomplishment to tell the provost, and I can get a new AUL.” (Or possibly they flip the order.) So they hire consultants—administrators love to hire consultants—and arrange some town halls and world cafés and get started.

Here’s the description of the conference:

Academic libraries and archives across Canada are facing reorganization and restructuring. These initiatives can threaten the positions and work of librarians and archivists, and undermine traditions of collegial governance. The 2019 CAUT Librarians’ & Archivists’ Conference will investigate and discuss this reality. Participants and panelists will examine how librarians and archivists, individually and together with their academic staff associations and CAUT, can resist the devaluation, deskilling and reassignment of traditional work, and ensure a strong place in new organizational models for the core values of community service, openness, collegial governance, and social justice. Please join your peers from across Canada at this bilingual event.

Savage and Hornick

The opening and closing keynotes were fantastic. Larry Savage, a professor of labour studies at Brock (he’s Dr. Savage or Prof. Savage, but not Doc Savage) opened with a talk about neoliberalism and restructuring, and JP Hornick, a professor of labour studies at George Brown—but more importantly the head of the OPSEU bargaining team when all the faculty, librarians and counsellors at Ontario colleges went on strike for five weeks in fall 2017—closed with organization and strategies.

Savage had two questions. What is driving neoliberal restructuring? And how can academic librarians and archivists assert their interests in this process? He set out hallmarks of the neoliberal university: market-based practices and norms; corporatization of funding and governance; reorganization of external funding (more from students than government); treating students as “customers” or “consumers;” increased internal and external competition; and more. We’re in times of permanent restructuring and permanent crisis, always asked to do more with less, where labour relations are always demanding concessions and increasing precarity by hiring more people on short-term contracts. What can we do about this? Organize! Get together for stronger protection, build alliances, seize opportunities, and use grievances strategically for maximum benefit. Never pass up the chance to use a grievance to organize co-workers, he said. And he had a checklist of things to watch for, such as: Do librarians and archivists have guaranteed seats on the senate? On senate subcommittees? On the union executive? On the bargaining team? If not, get organized, find allies, and start your work. And while doing that, never miss a chance to participate in all existing collegial bodies, and make change where you can.

It was an excellent talk, really thorough and informative, and Savage is clearly a very good teacher. I’ve read Building a Better World: An Introduction to the Labour Movement in Canada, which he wrote with Stephanie Ross (who used to work at York), and it’s great. I’m going to get their new collection Labour Under Attack: Anti-Unionism in Canada.

Hornick’s talk was also excellent: inspiring, funny, informative and insightful, full of great advice and amusing anecdotes and wry asides. She also must be a very good teacher. And it’s no wonder the OPSEU college workers did so well with her leading the bargaining team! She had a lot of people working with her, and she explained what they’d done over years and years of hard work, campaigning and advocating so that they went from academic freedom being not an issue to all to being something people struck over for five weeks—and won! Campaigning and mobilizing, getting members engaged and involved, was crucial, and they went at this with all the classic labour methods: petitions, letter-writing, buttons, taking over meetings, and so on, and also social media, creative local actions, and more. She said we need multiple methods of engagement, so that people can have an easy welcoming introduction to the ideas, and then get more involved. Savage had recommended workplace mapping, and she did too. In her OPSEU section (which has 19,000 members, and there are 15,000 non-unionized faculty they worked with too) they spent a long time getting ready, and they prepared for a strike long in advance. They had a three-year plan to engage new leadership, prepare financially, build allies with the broader movement against precarious labour, educate members against employer propaganda, beef up internal communications, and more … and it worked. They had to strike, but they held out, and when a forced ratification vote was imposed, 95% of the members turned out and the vote was 86% against. That was an absolute rejection of the employer’s offer, and the employer knew it. Huge public success, too. Ultimately Doug Ford’s Conservative government got into power in Ontario and legislated them back to work (over which there’s a charter challenge) but they still won a lot in the settlement.

If you get a chance to see Hornick talk, don’t miss it.

I took a lot of notes on both their talks, and the emphasis on campaigning and advocacy over the long term, and bringing new people into the fold, are both things I’ll take back to my work. There’s a lot more we can do about that in YUFA, inside the libraries and outside. Problematization is not engaging.

Parliament Hill at night
Parliament Hill at night


There were two parts to the rest of the conference: panel discussions and role-playing scenarios.

The first panel was on “The Neoliberal Context,” with Harriet Sonne de Torrens, Francesca Holyoke and Marc Richard speaking. They are all top figures in the Canadian academic librarian labour world, and the latter two have won the CAUT Academic Librarians’ and Archivists’ Distinguished Service Award. Sonne de Torrens reviewed the situation at the University of Toronto Libraries, which is a sprawling system unlike any other in Canada, I think. They’ve had a restructuring with a lot of mergers. She pointed out we should watch for when a “department” becomes a “service.” It’s a good observation: there’s a lot about “access services” and “user services” now, which no longer reflect the academic structure of the university. Holyoke talked about the “miasmatic tendrils” of neoliberalism on collections, people and organizations. I’d never met her before and was very happy to hear her talk: she’s a great speaker. She recommended John Buschman’s 2017 article Doing Neoliberal Things with Words in Libraries from Journal of Documentation 73.4 (sadly it’s behind a paywall), and I’ll read it next week. Marc Richard talked about “new public management” and problems with underfunding and partnerships, using a couple of examples, including where a privately-funded think tank (CIGI) wanted to give money to York but want to have a say in who got hired; this led to a faculty uprising against interference in academic matters, and CIGI walked away.

The second panel was on “Particular Cases and the Big Picture.” Jennifer Dekker spoke about the situation at U Ottawa, and John Costella spoke about Western, where the librarians and archivists have been through a reorg but, more importantly right now, are in the middle of failed bargaining and are poised to go out on strike. Leila Saadaoui from Laurentian talked about the situation there (historical note: the faculty and librarians were on strike there in 2017). Common themes throughout were about the loss of collegial governance and the centralization of power in the UL’s office. It was clear from their experiences, and this was a common theme, that fighting for the rights of librarians and archivists is long, hard, tiring work. People can get burned out. I’ve had this happen to me. Celebrate small successes where you can, was one tip.

The third panel was on “Tools of Resistance.” Here the speakers were Brenda Austin-Smith (a film prof at U Manitoba, and current CAUT president), Carla Graebner (Simon Fraser U) and Immanuel Lanzaderas (CAUT legal officer). Austin-Smith said: campaign. Set a goal, develop a strategy, make a plan, and follow it. Her talk was another inspiring one, and I’m glad she’s CAUT president. Carla Graeber hit the point that the collective agreement is the main tool, and communication with members is the tactic. Lanzaderas talked about grievances as a tool. Prepare them carefully, for the best purposes, and make it clear you’re ready to see them through to arbitration. But also know you can withdraw it, if that’s the best tactic.

The panels were all ninety minutes long, but each speaker only got seven minutes for their individual piece before it went to questions, first from the moderator and then from the rest of us. This was simultaneously too long and too short, but lots of good points came out through all the questions. Many people spoke up, so we all got to here about things happening across the country. A lot of useful little tips and tricks got mentioned along the way.

I was part of the initial planning for the conference, and having been through it I realized I missed pointing out something back when we were getting started: it would have been better with a role-playing scenario each day, with the rest of the time filled with panels and talks, rather than all scenarios on the second day. Having all the panels on the first day was a bit of a slog, especially right after lunch, but nevertheless, we all learned a lot, and the speakers really covered a lot of ground.

The ceiling of the meeting room
The ceiling of the meeting room


Much of today was spent on playing out two scenarios: how to handle a forced restructuring by a UL who didn’t consult the librarians and archivists, and what to do in a library council meeting six months later. These were very well thought out and managed, the former by Kate Cushon (U Regina) and the latter by Orvie Dingwall (U Manitoba). They have both played leading roles in their unions, and their expertise, experience and energy were very obvious to us all.

All of this was set up to be at the Great Northern University (CAUT’s standard made-up anglophone university, unrelated to the GNU I think of) or the Université Saint-Laurent (for francophones). Kate had created a situation where in April, at a council meeting, the UL announced the music library was closing down, a new AUL was being hired, there was a new organizational structure, and everyone was being given new functional roles. What do we do? How? What’s the plan? We discussed this at our tables, using the mock collective agreement articles provided. Then each table reported back, and it was interesting to hear what we all had in common and what had been noticed just by one table. Between us all, we covered everything, as far as we could all tell, including some surprising methods and approaches that Kate hadn’t foreseen.

After that we moved to a library council six months later, where the UL was reporting on some recent resignations, contract hires (done by her and her AULs alone), a new “team lead” system and the hiring of outside consultants. We had time to read the agenda and background notes, and pairs of tables were assigned issues. Then the meeting started, with Orvie playing the role of UL and chair. It was a heck of a raucous meeting, with people leaping up right away to amend the agenda, and then continuing on through the meeting to pummel the chair with questions and obstreperous motions. Our table’s issue was last on the agenda, so we moved to have it made first, which got passed … but then we weren’t organized enough to ask our questions, and the meeting moved on to the next point! That was embarrassing. Lesson learned: plan, and arrange with others beforehand so that several people can speak to one point, thereby supporting each other. Orvie did a masterful job of chairing the session and was equal to any administrator I’ve seen in worming her way out from pointed, unpleasant questions.

Both these sessions had everyone engaged and talking, to each other at the tables and to the group as a whole. They worked very well. It’s sessions like these, with practical preparation and role-playing, that make CAUT conferences especially useful. I’ve seen my share of meetings like this in real life, and I still learned a lot. For people who were new to it I think it would especially eye-opening. Also, Kate and Orvie would be great dungeon masters.

Someone shared a great idea that everyone liked: book some time after every library council meeting for a debriefing session with just the unionized librarians and archivists. Beautifully simple! We don’t have a library council at York, but we do have a regular monthly meeting, so I booked the room for an hour after it from November through to next May. I love this idea.

I had several other ideas I won’t share here. I took a lot of notes.


The conference was done in French and English, with simultaneous translation, as is now standard practice at all CAUT conferences. I’d never been part of this before, and it was a great experience. The whole conference had a fresh, fluid and expansive atmosphere because of it. The translators sat in a little booth at the back of the room, and whenever we needed to hear them, we could put on a headset and plug into a little wireless device. All the translation from French I heard seemed excellent. I was impressed by my bilingual colleagues—they sat there nodding and smiling no matter what language the speaker used, or were themselves speakers and moved from one to the other easily—and was reminded of my own inadequate French.


My thanks to everyone involved in preparing the conference, and to everyone who spoke in any capacity, including to me in the hallway. Also, thanks to YUFA for paying my way. It was a very fine two days, and I’m taking a lot of useful stuff back to York that I hope to put into action. I made a big list, I’ve got some strategy and some tactics, and I’m going to start some campaigning. We’ll see how it goes.

There was a lot of sitting the past three days, on trains and in the conference. Tomorrow I’m going for a nice long walk.

Bijou Ardglass (cat)
Bijou Ardglass (cat)


art conferences field.recordings podcasts

I’m absolutely delighted to have two shows on framework, the fascinating weekly radio show and podcast devoted to field recordings and sound compositions made from them. The first one (#691) is up today, and the second will appear in two weeks. They’re in framework:afield, the “guest-curated series produced by artists from all corners of the globe and based on their own themes, concepts or recordings,” which alternates with episodes constructed by the host and producer, Patrick McGinley.

I can’t remember how I first heard of the show or when I started listening to it, but was probably about three years ago. (And I started supporting it last year with a monthly donation.) I never miss an episode, and I’ve gone back into the archives to work through past shows. I’m very happy to be a contributor now. It’s a real honour—the list of other contributors includes many great artists. It’s amazing to know my work will actually be broadcast on radio stations around the world, and downloaded by its many podcast listeners.

My two hours are France Audio Montage, a two-hour audio memoir of a trip to France in July 2019: first in Toulouse for the useR! 2019 conference and then in Paris for a week.

If you don’t already listen to framework then you can get a feel for what it’s like from the previous episode, #690, which has some wonderful sounds and juxtapositions. Then I recommend subscribing to the podcast and trying it out for a few weeks.

Here are my notes for my two episodes, listing what the sounds are. I do voice-overs to introduce each hour and to explain every now and then what we’re hearing.

Many thanks to Patrick McGinley for accepting my two hours—and, more importantly, for all the work he does on framework.

Part One

A photograph taken in the crypts under the Pantheon.
A photograph taken in the crypts under the Pantheon.
  • Waiting to board my plane back to Toronto (Charles de Gaulle Airport, 20 July 2019)
  • Waiting to board my plane to Paris (Toronto Pearson International Airport, 07 July 2019)
  • Before take-off (Toronto Pearson International Airport, 07 July 2019)
  • On the high-speed train from Paris to Toulouse (outside Toulouse, 08 July 2019)
  • In the Jardin Compans-Caffarelli, by the Centre de Congrés Pierre Baudis (Toulouse, 10 July 2019)
  • End of a keynote talk at useR! 2019 by Prof. Julie Josse, used with her kind permission; the full talk is available on YouTube (Toulouse, 10 July 2019)
  • Where the Canal de Brienne meets La Garonne; singing woman was under a bridge over the canal on this side of the river while the percussion group was on the other side (Toulouse, 10 July 2019)
  • Dining at Le Dahu, 10 rue des Blanchiers (Toulouse, 12 July 2019)
  • On the high-speed train from Toulouse to Paris (outside Paris, 13 July 2019)
  • Flypast at the Bastille Day Parade, south of the Arc de Triomphe (Paris, 14 July 2019)
  • Walking through the Tuileries Garden (Paris, 14 July 2019)
  • By the Henri Laurens sculptures, outside on the fifth floor of the Centre Pompidou (Paris, 15 July 2019)
  • At the mausoleum of Auguste Maquet in Père Lachaise (Paris, 17 July 2019)
  • In the vault containing the tomb of Alexandre Dumas under the Pantheon (Paris, 19 July 2019)

Part Two

Craquelure on a painting by Jacques-Louis David in the Louvre.
Craquelure on a painting by Jacques-Louis David in the Louvre.
  • Dining at Le Dada, 12 avenue des Ternes (Paris, 19 July 2019)
  • The Place Vendôme (Paris, 17 July 2019)
  • Walking from the Place Vendôme to the Tuileries Metro station, then taking the Metro to Ternes (Paris, 17 July 2019)
  • The Venus de Milo in the Louvre (Paris, 18 July 2019)
  • On the shore of the Seine, by the Musée d’Orsay (Paris, 19 July 2019)
  • In the garden at the Musée National Eugène-Delacroix (Paris, 19 July 2019)
  • Waiting to board my plane back to Toronto (Charles de Gaulle Airport, 20 July 2019)
  • Landing in Toronto (Toronto Pearson International Airport, 20 July 2019)

Technical notes

All of the recordings were made on a Zoom H5. The Père Lachaise recording used OM1 omnidirectional microphones made by Line Audio, and all the rest used the built-in mic. Editing was done on Audacity.



Last month I sent someone a surprise present through the post. It cost $11.70 to mail it at the cheapest rate. I didn’t hear anything from them about it, but assumed I would when next I saw them in person.

Last week I got a notice from Canada Post that there was a parcel to be picked up. It was the present I’d sent! It had gone unclaimed and so they were returning it to me.

I had to pay $11.70 to cover the cost of it being returned to me.

Now I’ve spent $23.40 for the damn thing to be mailed from the middle of Toronto to the middle of Toronto (possibly via Missisauga or Scarborough) and back again.

Shapes on orange wall.
Shapes on orange wall.

I’ll see the recipient in person next week and hand the worn envelope over in person.

I like sending things by post, but Canada Post never makes it easy, and it always gets more expensive.

Also, the web site has so many trackers it won’t work with my privacy settings (so I use Tor).

Screenshot listing Canada Post web trackers
Screenshot listing Canada Post web trackers

Cabin Pressure


This week I’ve listened once again to all the episodes of Cabin Pressure, a BBC Radio situation comedy that ran over 27 episodes and four series from 2008 to 2014. I think it’s the best radio sitcom ever made.

Cabin Pressure CD cover
Cabin Pressure CD cover

It’s set at a tiny air charter company that owns one plane. There’s the pilot (an anxious perfectionist who’s not a very good pilot; played by Benedict Cumberbatch), the first officer (a far better pilot, and always ready with a languid put-down; played by Roger Allam), the owner (an acerbic woman, whose company is always on the verge of bankruptcy; played by Stephanie Cole) and her son (a wonderfully good-natured fool; played by the writer, John Finnemore).

There are twenty-seven half-hour episodes: twenty-five going from A (“Abu Dhabi”) to Y (“Yverdon-les-Bains”), and a two-part finale for Z (“Zurich”). The four characters are fully formed from the first episode, and we get to know them better and better as the show goes on and their lives develop. By the end we know them all like old friends.

It’s a very funny show, and there are many lines and games (“yellow car”) and situations one will never forget. But the genius of it comes in the final episodes, where everything wraps up absolutely beautifully, and we’re left with an ending that’s funny, touching and sad all at once. It’s a perfect finish, and of all the fine work Finnemore has written, I think it’s still his best.

If you ever have the chance to listen to the show, I cannot recommend it highly enough. It is an utter delight.


privacy raspberry.pi

I’m now running a Pi-hole on my home network. What is it? The docs describe it as “a DNS sinkhole that protects your devices from unwanted content, without installing any client-side software.”

You get it running on your network, and then you configure your router to ask it for how to translate hostnames (like www.example.com) into IP numbers (like, which is how computers look each other up on the internet, instead of asking your internet service provider or Google. Pi-hole does the talking to your provider to look up the numbers where it needs to, but if your computer or phone asks to look up a server that just runs ads, the Pi-hole gives back a wrong answer.

This is a screenshot of what it’s blocked recently, taken from its very nice web dashboard:

This shows pretty clearly that I run Ubuntu, my main browser is Firefox, my music streaming service is Tidal and I read the Guardian. All true. (I also have uBlock Origin and NoScript and other blockers running inside Firefox, so a lot of requests are being blocked on my laptop before any network requests are made.)

It also shows a lot of requests to Mozilla for Firefox-related stuff I probably don’t need, and I also don’t need that network connectivity check all the time. I’ll probably turn those off.

One of the blocked sites on the right is metrics.cbc.ca, which must be getting requested by the CBC News app on my phone. A DNS lookup on that hostname outside my network shows it’s available at several IP numbers (this is round-robin DNS used for load balancing on busy servers):

$ nslookup metrics.cbc.ca

Non-authoritative answer:
metrics.cbc.ca	canonical name = cbc.ca.122.2o7.net.
Name:	cbc.ca.122.2o7.net
Name:	cbc.ca.122.2o7.net
Name:	cbc.ca.122.2o7.net

Here’s the same request on my home network, where the answer is: nothing.

$ nslookup metrics.cbc.ca

Non-authoritative answer:
Name:	metrics.cbc.ca
Name:	metrics.cbc.ca
Address: ::

That’s why I don’t see any ads in the CBC News app when I’m on my home wifi.

Here’s the top of the dashboard, where it shows activity:

Pi-hole activity
Pi-hole activity

I am running this on a Raspberry Pi Zero W, which is a tiny computer. It’s the small thing with the glowing green light, beside my Presto card (the size of a credit or debit card) for scale. It cost about $25 at Creatron in downtown Toronto. (The slightly larger thing is a Raspberry Pi Four, on which I’m running a Tor relay.)

Photo of two Pis hanging on a wall
Photo of two Pis hanging on a wall

Setting up Pi-hole is nontrivial. You need to get the operating system onto an SD card, plug in a keyboard and monitor long enough so you can boot it up and configure it to get it on the network, then install Pi-hole at the command line, then reconfigure the DNS settings on your router so it talks to the Pi-hole. If you’ve never used the command line or changed settings on your router, that’s not something you want to tackle lightly.

But, if you’ve ever done those two things, setting up a Pi-hole is remarkably simpler than you might expect. You might be scared you’ll mess up your whole network, but (as long you write down your original router settings) it’s easy to back out if something goes wrong—but the Pi-hole people have done such a great job it probably won’t. It got it all working in about thirty minutes, start to finish. (Once I actually had all the cables and stuff so I could attach a keyboard and monitor.)

I’m so impressed I got another Pi Zero W and I’m going to set up a Pi-hole at someone else’s house—someone who doesn’t run as many ad blockers in their browsers as I do, so I think they’ll see much more improvement than I did. After that I may do more people. Installing a Pi-hole seems like an easy way to magically improve everyone’s internet experience without them having to do anything.

In the Garden of the Delacroix Museum

art field.recordings listening.to.art

I’m running a short series on Eugène Delacroix on Listening to Art: The Death of Sardanapalus, Liberty Leading the People and Street in Meknes, with another issue to come on Tuesday. There’s a special extra to go with the new issue: a field recording made in the garden outside the apartment and studio where Delacroix lived from 1858–1863, which is now the Musée National Eugène-Delacroix. It’s on Radio Aporee ::: Maps: In the Garden at the Delacroix Museum.

Map of Paris with field recording located on it
Map of Paris with field recording located on it

This was part of a wonderful trip to France I had in July, about which I will say more later.

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