Sounds great...I like very much the idea of the association of noir.crime
and music...rock especially...
I think Iım much more attached to styleı, than you are in your taste, since
I would never touch, listen, go, near the likes of Cowboy Junkies,
Springsteen, Earle, Westerberg, any MOR, Billy Gentry, the Band...but
Velvet, the Cramps, Gene Vincent...on the contrary...and I grew up in Euro
as Rolling Stonesı and Beatles were establishment and cuteıand were
therefore on the other sideı of the tracks (except Lennon)...Iım much more
sensitive to the look, the attitude, the genre...and therefore I donıt
follow any of the othersı...
...but we have not even talked about some other music familiesı where
crime/noir story and attitude is a-plenty and abundant: industrial
(Ministry/Front 242...), some tecno, hip hop, some rap...and of course some
heavy metal (Motorhead to start with), and how to ignore some of the
flamenco and the fado...
All this to say that this is one of the rare times that music is talked
about in connection with crime stories in rara, and it is a pure delight to
hear somebody think of titles, songs, bands...etc...in connection with it,
so thank you for picking this up and I promise to keep your list and Itune
some of the ones you mentioned...you have tickled my curiosity...
Montois
On 7/18/09 1:43 PM, "Kevin Burton Smith" <kvnsmith@thrillingdetective.com>
wrote:
>
> Brian wrote:
>
>> > I offer up the entirety of Nick Cave and the Bad Seeds' album MURDER
>> > BALLADS
>> > as another possibility (and talk about "Noir atmosphere": his song
>> > "Red
>> > Right Hand.").
>
> The entirety? I dunno. I tend to skip over a couple of the songs.
> Cave, who's usually a smart and surprisingly subtle and witty artist,
> given his frequent subject matter, just chews up the scenery a little
> much on a few of them. The hammy overkill may work in concert, but on
> record it just comes off as a little forced and silly. Though that may
> be the point.
>
> Mind you, sometimes it's the singer or the performance, not the song.
>
> The Beatles' "Run for Your life" is a pretty lame (albeit slightly
> offensive) pop song. When The Cowboy Junkies do it as this grungy
> bluesy thing, it's just nasty. Margo Timmins sounds like she means it,
> man.
>
> She catches you with another woman, that's the end, little boy.
>
> Some of my other personal fave crime songs (they're not all noir)
> include:
>
> Frankie & Johnny -- various
> Stagger Lee (aka Stoack-o-Lee, Staggalee, etc., etc.) -- various
> Nebraska by Springsteen
> Jeannie Needs a Shooter by Warren Zevon
> Folsom Prison Blues by Cash
> Copperhead Road by Steve Earle
> Mack the Knife -- Bobby Darin (finger-snappin' murder at its best)
> Jesse James -- various
> Streets of Laredo -- various (lately, it's Paul Westerberg's version,
> but I'm flexible...)
> Lily, Rosemary and the Jack of Hearts -- Joe Ely, Tom Russell et al
> In State by Kathleen Edwards
> Long Black Veil by The Band
> Cop Killer by Body Count
> The Ballad of Billy Jo by Billy Gentry/The Night the Lights Went Out
> in Georgia by Vicki Llawrence (Yeah, I know, but both of these MOR
> nuggets are also flat-out great story songs, dying to be remade in
> darker, gritter versions. Maybe Marianne Faithful or Chrissie Hynde
> should check 'em out...)
> 38 Years Old by The Tragically Hip
> Murder in the Red Barn by Tom Waits & John Hammond
> James River Incident by Steve Wynn
> Cocaine Blues by George Thorogood (Cash's is great, but Thorogood's
> slide-driven stab at it is a real rush)
>
> But don't get me started....
>
> Kevin Burton Smith
> Palmdale Noir: Saturday, June 18
> Butler's Coffee, Palmdale, CA
>
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