In a message dated 6/19/09 8:55:06 PM, jacquesdebierue@yahoo.com writes:
> If noir deals with the condition of modern man, who works harder than any
> slave did, who is basically unhappy despite being told and trying to
> convince himself that he has a magnificent life, a magnificent standard of
> living, a bright future as a retiree and a future for the offspring he has
> coproduced, then humor is not an extraneous element -- we are dealing with a
> paradox, or rather, a glaring contradiction between life as lived and the
> propaganda that makes that life bearable.
>
why Mario, since noir is merely a dark and sinister atmosphere in a select
number of French films made a half century ago, none of this can possibly be
true
John Lau
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