Thanks so much to everyone for their terrific responses. It
seems there is a real penchant for Mexico and the South
Pacific as tropical backdrops for noir or hard-boiled
literature. A couple of additional examples are JDM's Travis
McGee tale A DEADLY SHADE OF GOLD that partly takes place in
Mexico, and Hammett's THE HAIRY ONE (or BER BELU) that is set
in the South Pacific.
Since your responses were so great, I have a follow-up
question for you all. Has anyone written an essay or article
(or book for that matter) that either provides a kind of
overview of the use of tropical or
'exotic' locales in noir or hard-boiled fiction, or has
compared the use of 'conventional' vs 'exotic' locales? I'm
very interested in how different author's have used setting
as a character (not a new topic on this list, I know) and how
different settings can work as different kinds of
characters.
Thanks again for all of your great replies so far!
Best, Harry
Quoting jean-pierre jacquet <
jacquet@optonline.net>:
> Anthony Bourdain's Gone Bamboo takes place in St
Martin. Cliché¤ plot
> but good dialogue.
> jpj
> On Mar 6, 2008, at 8:13 PM,
BaxDeal@aol.com wrote:
>
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