> And isn't that the essence of noir? The story begins
with someone doing
> what s/he shouldn't and rest is finding out if a
payment must be made,
> how screwed s/he is?
I have a fundamental difference with most of the discussions
here about the terms hardboiled vs. noir. I think you guys
are taking a few very intangible characteristics of film noir
and trying to create a definition of roman noir, which is a
doomed excercise from the start. It's too broad and too
intangible and, on top of that, you're reapplying it back to
film. Using your definition of noir as applied to film,
movies such as Casablanca and even Gone With the Wind, would
be noir.
I've mentioned this before but noir is a style of presenting
a crime story on film. You seem to be overlooking this very
important aspect of noir. Certainly crime is committed in the
movie Casablanca and it has all the stylistic elements and
story elements of noir, but it is a story of international
intrigue and espionage, not a crime story.
Jeff
This archive was generated by hypermail 2b29 : 29 Jul 2007 EDT