-----Original Message-----
>From: Dick Lochte <
dlochte@gmail.com>
>Sent: Feb 5, 2007 1:09 AM
>To:
rara-avis-l@yahoogroups.com
>Subject: RARA-AVIS: Re: The Long Goodbye
>
>As for Gould liking the character of Marlowe, he did
indeed. He told me he
>tried to get a studio (I think Universal) involved in
a remake of The High
>Window which either he or the studio had access to at
the time. That is, of
>course, the Marlowe movie most in need of a
remake.
>
>As for Gould being able to play hardboiled, the cop
movie Busting and the
>underrated mystery Capricorn 9, suggest that in
younger days he could handle
>that. My impression is that he considered Marlowe
more a fast-talking,
>think-on-his-feet pro -- a la his MASH character --
than hardboiled. I agree
>with that. (The dreamy and passive okay-by-me quality
in Long Goodbye was,
>I suspect more Altman than Gould. This is borne out
by the Dove readings
>which probably are the best of the Chandler
audiobooks I've heard. Joe
>Mantegna makes the character sound like a Jersey
wiseguy. Daniel Massey's
>plumy British Marlowe is just plain
ridiculous.
>
>I should note that my opinion of Gould may be colored
by the fact that he
>was one of the better participants in a movie I
wrote, Escape to Athena. And
>he read, quite well, a short Marlowe story I
contributed to the Raymond
>Chandler's Philip Marlowe anthology that celebrated
the author's centennial.
Dick, we must have been writing about the exact same subject
at the exact same time. But you beat me to the "send" button.
My post now reads like I was looking over your shoulder
during the exam!
I'd like to add that THE SILENT PARTNER is another terriffic
hardboiled/noir Elliot Gould movie. I'm not sure how easy it
is to find, but it's worth the quest. It's an early script by
Curtis Hansen who would go on to co-write the screenplay and
direct L.A. CONFIDENTIAL many years later.
TL
This archive was generated by hypermail 2b29 : 05 Feb 2007 EST