Hey,
I personally consider Feast Of Snakes and The Knockout Artist
great noir reads, and I think The Knockout Artist makes a
solid case that noir's underwriting of inevitable doom can be
underwritten by absurdity too. But, I'm more of a crime guy
than a noir guy so I'd be really interested in what the
experts might have to say, if any of them are familiar with
Crews.
thanks, adam
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