Karin, I really appreciate these reflections. Also the link
to that Guardian review, of course.
Cheers!
Charlie.
charliewilliams.net
--- In
rara-avis-l@yahoogroups.com, Karin Montin
<kmontin@...> wrote:
>
> André „ussolier said here that it's the "best book of
the Mangel
trilogy. Very dark but very melancholic in an odd way." The
Guardian gave it an excellent review:
> <
http://books.guardian.co.uk/review/story/0,,1721936,00.html>
>
> I've just read this last instalment in fellow Rara
Avian Charlie
Williams's Mangel trilogy, which takes place in Mangel,
England, where everyone (or almost) speaks in a very
distinctive slangy local dialect.
>
> Narrator Royston Blake is just out of the
psychiatric hospital,
having spent three or four years recovering from an
accidental OD on mind-altering drugs. He's been dragooned
into taking a job as front of house customer flow manager for
a strange new creation--a shopping mall. It's a step down
from head doorman at Hopper's, but since Hopper's as we knew
it no longer exists, Blakey doesn't have much choice,
especially as he wants to settle down and raise the son he's
never seen. The father-son theme is very important in this
book, as Blakey strives to fufil his role as a good father
and struggles with painful memories of his own father.
>
> Amazingly, the Mangel "old guard" have elected
Blakey their
saviour. It is he who will rid Mangel of the outsiders who
have come in and started introducing unwanted change to the
town. The shopping mall isn't the only thing; fast food
restaurants serving fries--not chips--are also moving in and
taking over. Another bunch also want Blakey to help them with
their plans for the mall. He's being pulled in three
directions and something's got to give.
>
> Blakey starts out strangely pacifistic. Where once
he would have
beaten anyone who looked sideways at him, he now initially
lets it go. Brain damage or maturity? Only time will tell.
Although if you've read Deadfolk or Fags and Lager, you'll
probably suspect that once he's back in Mangel, it won't be
long before Royston is his old self again.
>
> This is a fast-moving story whose narrator speaks in
a very
convincing, one-of-a-kind voice. A lot of people are killed,
some very casually, but the skilful use of humour keeps the
violence on surreal plane.
>
> The one part I didn't really like was a kind of
supernatural,
dreamlike scene near the end. I'm not big on supernatural
stuff and I found it jarred with the rest, which although
surreal, is more down to earth.
>
> Thematic links to my other posts today: the title
ties it to Wim
Wenders, who made a film called Kings of the Road (Im Lauf
der Zeit), and the saviour motif ties it to Pop. 1280.
>
> Karin
>
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