Yeah, I'm finding it bogus too. Christian themes may be
raised, but I've not read anything where they are confirmed
by noir. Not that I've read everything, by a long shot, but
Nietzsche said god is dead, meaning the end of faith and
superstition as a guide to human behaviour, and the
existentialists wrote stories about how that played
out.
That's one of the things that appealed to the French
identified in film noir, isn't it? I mean, Spade, Marlowe and
others had their own values because religious (and other)
institutions had failed them, and modern man. In other
stories, such as The Postman Rings Twice, faith did not keep
man from straying. It didn't even enter into the
picture.
In the end Christianity, and all other western faiths, are
about transcendence. Noir is the opposite. Noir is about life
without transcendence. If there's transcendence, through
faith or anything else, it ain't noir in my books. Christian
noir is a contradiction in terms.
Yer on yer own, baby. Kerry
At 04:44 PM 03/04/2006 -0700, you wrote:
>Charlie Williams wrote:
>
>I think this discussion is a bit bogus.
>
>*************
>Somewhere along the way somebody asked about
Christian
>noir, and I surely wouldn't call that a
bogus
>question. Flannery O'Connor, William Faulkner,
and
>Graham Greene have all brilliantly invoked
Christian
>themes in noirish works.
>
>miker
>
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