Dave wrote:
"Makes you wonder how they ever got Night of the Hunter or
White Heat through the production code."
You could show very bad things as long as the bad person paid
in the end, preferrably through death.
"Btw. I think Blue Dahlia would've made a lot more sense if
they left the original ending."
Yeah, but sense was never a major concern of the Production
Code. It's also responsible for a lot of artificial tacked on
endings. For instance, does anyone believe Richard Widmark
will really stick to the straight and narrow at the end of
Pickup on South Street?
Mark
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