Mark,
Anyway, IN FRENCH saying of somebody he's a "bricoleur"
carries always a very negative sense, meaning that this
person does not do what must be done, acting on things he
does not master or understand... etc. This word is then also
contemptuous. One exception: "bricoleur de g鮩e", which means
that with very few means, or knowledge, someone achieved
something really well done, exceptional (as from a
genius).
But literally, in its direct sense, one can be a real
"bricoleur" if one does real DIY, for hobbies, homes etc.
thus manipulating real things, matters and tools. Then the
meaning is just what it says. Doing it is doing "bricolage",
in its original sense.
So qualifying ideas as "bricolage" is also ALWAYS negative
(in French).
Hope this helps.
E.Borgers HARD-BOILED MYSTERIES http://www.geocities.com/Athens/6384
POLAR NOIR http://www.geocities.com/polarnoir
>I would also appreciate a nuanced application of
those terms (and also
>thank you for the explication of Manchette's titles).
And might I add a
>third, bricolage? I'm familiar with its
anthopological use and its
>application to fashion, as an appropriation and
shifting of context; for
>instance, when the working class British Teddy Boys
appropriated
>Edwardian dress, they were engaged in bricolage. Can
it be applied to
>ideas and styles, or does it more properly refer to
material artefacts?
>I've seen hip hop sampling referred to as bricolage.
Can this also be
>applied to fiction? For instance, when sci-fi writers
adopt a
>hardboiled voice (whatever that is, but we often see
blurbs about "if
>Chandler were writing about sci-fi"), is that
bricolage? Does Jonathan
>Lethem's combining of styles and genre make him a
bricoleur?
>
>Thanks,
>
>Mark
>
>ps - Bricolage is also a great CD by Amon
Tobin.
>
>
>
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