On 10 September 2004, JIM DOHERTY wrote:
: But Spade, who, like Hammett, is tall, extremely thin,
blond, with an
: angular face that looks like it's composed from a series of
v's (giving
: him a rather satanic look),
Spade looking like Hammett--I'd never considered that, but it
fits. For all the other characters in the book, I see them in
my mind as Greenstreet, Lorre, Astor, etc. (even to the point
of reciting dialogue in a Peter Lorre accent when no-one's
around), but all the descriptions of Spade, who looks nothing
like Bogart, made me form a different, amorphous mental
image. I'll try picturing Hammett next time.
: has his story told in an extremely objective third person
style that's
: very close to being the prose equivalent of a camera and
tape recorder.
I'd forgotten how strict Hammett is with this. I think THE
GLASS EYE is a little more so, but Hammett doesn't tell you,
for example, that Spade calls someone who doesn't answer. He
says Spade dials a number, listens for a length of time
without saying anything, then hangs up. I don't think someone
picked up and spoke without Spade saying a word.
Staying on the outside like that, never going into someone's
mind or describing an emotion except through its physical
manifestation, does get a bit strained. Spade's eyes glow
yellow and green through the book, his face changes colour
several times, and he often blinks sleepily or grins
dreamily. Before reading the FALCON I'd just finished a big
book done in a shifting first person point of view, with lots
of emotions and thoughts, and the different was very
striking.
Bill
-- William Denton : Toronto, Canada : http://www.miskatonic.org/ : Caveat lector.
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