Mark,
Re your comment below:
> At University of Maryland, I had a film
history
> professor, Douglas
> Gomery, who came from an economics background.
He
> found the
> documentation (memos, budgets, etc) to back up
that
> the the lighting
> style was due to cost-cutting on the sets Funny
how
> limitations can
> become defining elements.
Edward Dmytrik, who directed MURDER, MY SWEET, CROSSFIRE, and
CORNERED, three of the definitive film noirs, said the same
thing in a TV interview. It was just a way of making films
economically.
JIM DOHERTY
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