The term "noir" is visual. It evokes suggestive, even
sinister black and white photography. However, literature
needs no such props. Certainly some of Conrad's works qualify
as noir literature. And I doubt that anyone who has seen a
great performance of Hamlet (we don't have Gielgud's on film,
which is reputedly the greatest of all) will agree that this
drama is noir, too.
Whitfield's fatherhood (attributed by me to him) of
noircannot be defended outside of American crime writing.
Just the other day I reread Gald󳧳 great novel
_Tristana_
(made into a great movie by Bu񵄬) and if that isn't noir, I
don't know what is. I could go on and mention some of
Pirandello's stories, then go on to French and English
literature, then Russian, and so on. Ah, yes,
Dostoyevsky's
_The Gambler_...
Regards,
MrT
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