nothing that would prepare one for his stunning follow up
BIG
> TIME. Big Time concerned a New Orleans piano player
with a gambling problem,
> who blows town in thrilling fashion to escape the
local mob. he re-invents h
> imself, but falls for a beautiful singer in Rio who
jumpstarts his
> songwriting career. of course, his new found fame
leads his enemies to his
> door.
>
> SACRED HEART is period, set in New York during
prohibition, and the
> protagonist is the trigger happy son of an Irish
mobster. at least, so far
> it is. the blurb leads one to believe that after
everything goes to shit, he
> hooks up with his older brother, a priest down in
Mexico.
Back in the day, I was a huge fan of "The Crosskiller." And I
echo Lau's sentiment on "Big Time." Loved it, thought it
would make a great movie. Ron Bass wrote a script that was
disappointing -- it lies around somewhere in development
hell.
Tried to get through the typed manuscript of "Sacred Heart,"
but found the twenties gangster milieu uninvolving, since the
territory had been overly mined in the past -- and the priest
bit reminded me too much of Graham Greene's "Power And The
Glory." Never finished the book.
Hearing his story, my guess is that Montecino was using while
writing "Sacred Heart." To my mind, the quality was not up to
the first two books ...
dave
>
>
> John Lau
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