>real player was giving me some problems so i took it
off my computer >about
>a year ago.
you should be able to download the basic version for free,
maybe the bugs are fixed by now. I've found real player
better than media player for most things.
>i did read the spielberg thing though [slate artice].
made me want to >see
>bogie and >bacall talking dirty to one another in
"the big sleep."
it was kind of a stupid article because the author missed the
point that the Bogey and Bacall "racehorse" scene is the
least noir thing about Hawks' film. I guess the reasoning is
that "The Big Sleep" is a classic noir flick, so everything
about it must be quintessentially noir. I personally think
that Bacall's beefed-up part in the newer version, while
perfectly entertaining in its own right, detracts from the
noir-ness of the movie.
>and it was interesting to hear about "minority
report". i didn't have >any
>idea of what it was about.
it has its moments (I don't want this to turn into a big
movie discussion, but I get the impression the PK Dick story
is pretty hardboiled so I believe this is more or less on
topic). If the movie had ended 20 minutes earlier than it
did, it would be a good noir. The best comment I read about
the last segment is that it's closer to "murder she wrote"
than anything by Dick. Spielberg and Cruise obviously
inserted the stuff about Cruise's kid into the "Minority"
film, but I think it was a good move. the idea (in the slate
article) that noir heartbreak has to be about sex misses the
point entirely. Losing a child is probably the greatest
heartbreak there is and it certainly falls into a perfectly
respectable HB tradition (Pelecanos'
"Shame the Devil" and Lehane's "Mystic River" are two obvious
recent examples; Scudder's backstory rests on the death of a
child, etc, etc). There's certainly nothing inherently
schmaltzy about the theme and I think Spielberg handles it
just right. Anything Spielberg does is going to be too
schmaltzy for some but that's the way it goes. On the other
hand, the man never has known how to end a movie, so just
don't go to this one expecting any different and you won't be
too let down. The plot does more or less hold together, to
the extent that any story involving time travel can hold
together (aren't they inherently circular?)
carrie
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