>>Meanwhile, anyone read anything good lately?
SILENT JOE by T. Jefferson
>>Parker. wonderful book John Lau
Yeah, this was a terrific book and it motivated me to check
out TJP's backlist too. I had mentally shelved him with
generic potboilers based on something, maybe the covers and a
very brief run I took at "Red Light." After reading "Joe," I
went back to "The Blue Hour" which I just finished and
thought was a terrific book. I didn't much care for the
storyline - very clinical serial killer story - but the
characterizations were good enough to push me past it. Merci
Rayborn is probably the most interesting and thoroughly
developed female cop I've encountered and I've now got the
next two books on my short list. "Blue Hour" was quite
different from
"Silent Joe" though; there were some common threads, mostly
setting, but
"Joe" felt much more like classic hard-boiled in terms of
plot. though the characterizations are very much his own;
parts of both books will probably be too "sappy" or
overwrought for some but I found them effective.
I also recently read Michael Connelly's "City of Bones" which
I quite liked.
Felt more like his earlier books than the last
couple - I heard that Connelly is switching to first person
for the next book which should be interesting. After the
first book, Connelly's 3rd person has gotten closer to
feeling like 1st person from Bosch's POV anyway (except for
the shifts to McCaleb in "Darkness more than night" of
course). Incidentally, I just started on Hemingway's "To Have
and Have Not" which is most definitely in first person - I
think someone here mentioned that Hem never used it.
Currently also reading "Jitterbug" by Loren D. Estleman. This
is my first Estleman but definitely not my last. His prose
and dialogue are terrific and his ability to capture the city
and era (Detroit during WWII) are amazing. Also a fairly
short, compact book considering its consideralbe scope.
carrie
-
He got thirty years for lovin' her/ from some Oklahoma
governor,/ who said
"everything this doughboy does is wrong" - Tom Waits
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