> Rene mused:
>
> > For me an amusing
> > coincidence is that a character in THE DEADLY
PERCHERON whistles
"Pistol
> > Packin' Mama" which, IIRC, was a hit for Spade
Cooley, western swing
> > bandleader & erstwhile minor Elroy
character.
>
Jim replied:
> Spade may have done it (as did everyone from Bing
Crosby to Glen
> Miller's AAF band--complete with strings and a
harp), but the massive
> hit was by Al Dexter and his Troopers.
I'm always happy to learn the true provenance of great old
songs like that one. I had Cooley's version on a compilation
CD(or maybe I had both these guys on the same CD &
confused them.This is entirely plausible as a situation). I
also seem to remember a rockabilly version by the great Gene
Vincent, also. What year did the original date from?
>
> BTW, the earliest literary reference to Spade I've
come across is a
> mention in a short story in John O'Hara's collection
*Hellbox*. Just
bit
> of trivia to clutter your brain.
Thanks, Jim. The sad truth is that my warped & fragile
little mind thrives on this kind of trivia.(I'll have to read
the O'Hara book someday. I liked APPOINTMENT IN SAMARRA &
PAL JOEY tremendously, especially the first one.)
>
> > (Spade had a bass player
> > who was a dog lover, in as literal a sense as
Elroy could make it.
Just
> > thought I'd throw that in, re: hardboiled
cats'n'dogs threads of the
> > past).
>
> Poor ol' Deuce Spriggens--a perfectly normal, decent
guy who's legacy
is
> as an unsavory character in a James Ellroy novel ...
it ain't fair, I
> tells ya!
Did Elroy actually use this guy as a model? I assumed that he
was either completely fictional or, less likely, based on a
real canine lover or other deviant about whom there was
gossip or conspiracy theories - such as the gossip
surrounding such celebrities as Johnny Stompanato & Lana
Turner. Which actually reminds me - is there any suggestion
anywhere that Sal Mineo, aside from actually being a murder
victim, was ever involved in murder or extortion (let alone
the Kennedy assasination)?Why I'm asking, if Mineo was alive
he'd have ample reason to sue Elroy. I just wonder if there
was anything else to Elroy's character assasination of Sal
Mineo in THE COLD SIX K aside from the fact that he was, in
real life, a gay man who was murdered. (Which, by the way
pretty much sums up what I know about Mineo, aside from the
fact that he was in REBEL WITHOUT A CAUSE with James Dean
& some other less memorable flicks). I don't mind Elroy
speculating about lowlife such as Edgar Hoover & Carlos
Marcello but vilifying innocent & harmless entertainers
such as Spade Cooley's bass player & Sal Mineo seems both
unnecessary & extraordianrily vicious - unless Elroy has
knowledge the rest of us don't, & it's always possible he
does, then I can't help but speculate why he chose these
people to create such nasty myths about. Surely these guys
aren't so long gone they don't have any friends or loved ones
left? I guess none close enough to sue.
Rene
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