>Now I do wonder if anybody who's not an ACC
basketball junkie got hung up in
>the Sweet Forever (I am one, and I loved it but I
could see it being a
>sticking point).
Yeah, I had to ask, to confirm what I suspected. It didn't
ruin the book for me, but it postponed my "Wow!" at the end
of it for a few minutes, while I phoned a friend, to make
sure I had the whole Bias story straight. See, George's books
aren't just good, they're good for you. Bring on the sports
edition of Trivial Pursuit!
Anyway, the story still worked. And the music shoutouts don't
bug me either. They're appropriate for the characters,
culturally, racially, socially, agewise. What would bug me
would be a deep and abiding affection for something that
would need too much of an explanation or a stretch, like why
a rough and tumble kid grown into a rough and tumble adult
only listens to Miles Davis or British music hall ditties.
The music then becomes less a natural extension of the
character and more of an affectation. If I don't buy the
reason the character would like that sort of music, I guess
it would be annoying.
And then, of course, there are those poor saps who don't
"get" music at all. The fact a character doesn't like music
at all may say just as much about him as Nick Stefanos' music
says about him.
--
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