Kevin's comment about the lack of US publisher interest in UK
doesn't quite gibe with my observation. Ignoring the obvious
US "imports," from Harry Potter to Ian Rankin, I think both
St. Martin's and Walker publish more British crime titles
than American titles. Scribner publishes, last time I looked,
a healthy lineup of British titles from folks like Barnard
and Brett. Same with Mysterious Press. Certainly, if any book
makes money in England (McDermid, Robinson et al), it winds
up at an American publisher. If the point was that some very
good noir titles are overlooked, I wouldn't argue against
that one. But it probably means they weren't of
noticeable
"financial" success at home.
Arthur Treacher, by the way, was an actor who was the epitome
of the British butler. Played Jeeves in a film series in the
late 30's. Went on to fame as the announcer on Merv Griffin's
late night talk show and as a result of that wound up as the
figurehead for a fish and chips fast food chain. Bringing
this back on topic, I guess you could say the butler -- no, I
just can't go there.
Dick Lochte
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