RARA-AVIS: realism and reality

Stephen Holden (s.holden@lcpdt.linst.ac.uk)
Thu, 13 Aug 1998 12:10:02 -0700 Re the discussion about 'realism' changing over time, I'd agree with
that. I recently re-read some of Len Deighton's early books and found
them almost comic (like an episode of 'The Man from UNCLE' in parts).
But in their day they were considered dangerously realistic - my 60's
paperback of 'Horse Under Water' has a review on the back along the
lines of, 'I think I'm breaking the Official Secrets Act every time I
read Ln Deighton. I think what made people think Deighton was being
'realistic' was that he changed the spy from a James Bond superman to an
'ordinary' civil servant, worried about his pension and complaining
about his office furniture.

On another tack, I think television cop shows figure that if the
background and atmosphere appear realsitic, then the viewer will accept
an 'unrealistic' plot. In 'The Bill' (a soap-style police procedural
that goes out three times a week in the UK) the police station itself
and all the props seem not so much realistic as genuine. Some of the
'realism' is even boring, i.e. whenever anyone is arrested the police
read them their rights in full. This seems to distract the viewer from
whatever sleight-of-hand is going on in the story.

Similarly the dialogue is what the viewer accepts as realistic, as
everybody speaks in criminal/police/London slang. So we get someone
saying, 'Shall we give his drum a spin and see if we turn up any moody
gear?' instead of 'Shall we search his flat for stolen property?'

-Stephen-

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