I disagree. This is an excellent departure, I think. He was
getting the
first person vibe of White Jazz out of his system.
Personally, I think
this story worked great! (He's recently done another Contino
story in GQ
that I was really disappointed in, for the reasons you
mention about
Blues). The rest of the book is a retrospective of older
short stories,
tracking a development in style...
Not stream of consciousness, but more of a monologue. Ellroy
spoke with
Contino before writing this, even if this is mostly made
up.
Wished you could have liked it.
a.smith
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