----------------------------Original message---------------------------- Now that "The Big Sleep" has celebrated its 50th anniversary, the powers that be rightly believe that the movie is ready for rediscovery. A new print of this classic, which is based on Raymond Chandler's first Philip Marlowe detective novel, is playing in theaters. Copies of the novel are on display in bookstores. "Raymond Chandler's Los Angeles," a photographic essay on the city accompanied by passages from Chandler's work, has just been re-released (check out the photography shelf on the Amazon.com Web site for more about this gorgeous book). And the British Film Institute is offering a book-length treatment of the film by eminent scholar David Thomson. Directed by the great Howard Hawks, photographed by Sid Hickox, scored by Max Steiner (who wrote the music to "Gone With the Wind"), "The Big Sleep" was made with Humphrey Bogart and Lauren Bacall just after their whirlwind courtship and marriage. The script features contributions from Hawks's longtime friend and drinking companion, William Faulkner. Hugely entertaining as the movie is, it's almost as much fun to compare Chandler's novel (I prefer the sleek Vintage Crime edition, but there are many to choose from) to the published screenplay (available in "Film Scripts: One"). Reading the two versions, you really see how Faulkner and company built on Chandler's raucous wit and dark irony. For example, in the book, when General Sternwood asks Marlowe how he likes his brandy, he answers, "any way at all." In the movie, Bogart wryly responds, "in a glass." In the book, seductive females bat eyes at Marlowe; in the movie, they throw themselves at him and in the case of young Dorothy Malone, close up shop early and bed him down! As Thomson notes in "The Big Sleep" (BFI Film Classics), the plot of the movie is just an excuse for hard boiled violence and sexual suggestiveness. Even Chandler didn't know who committed one of the murders. Thomson aptly states that "the whole thing is a game, an artifice, a celebration of acting, dialogue (as opposed to talk) and fantasizing. It is a dream about dreaming--maybe the best." Check out these books and join in the dream. --Raphael Shargel is a research assistant in film at the University of Virginia. He reviews movies for WINA radio in Charlottesville, VA. You'll find Raphael's favorite books on film on the shelves of Amazon.com Books http://www.amazon.com/film If you have friends who might enjoy receiving this mailing, please feel free to forward it to them. To become a new Editors subscriber, or to sign up for additional categories, visit http://www.amazon.com/editors ****** ****** And now, a book from Hyperion Press: "Round Up the Usual Suspects: The Making of Casablanca: Bogart, Bergman, and World War II," by Aljean Harmetz. You'll find this book at http://www.amazon.com/film Illustrated with rare candid photos and actual memos from the Warner Bros. archives, this brilliantly researched book is filled with revealing, behind-the-scenes stories about the cast, filmmakers, rumors, context of WWII, and more. A vivid drama of the details that shaped Casablanca. - # RARA-AVIS: To unsubscribe, say "unsubscribe rara-avis" # to majordomo@icomm.ca