>AKA Derek Raymond, who's already been mentioned. I had great hopes for >Raymond (Cook) when I first heard about him; I bought the four books in >his "Factory" series at import prices (as well as non-series books _The >Crust on its Uppers_ and _A State of Denmark_), and then read _He Died >With His Eyes Open_ and could barely get through it. His writing style >was stilted, and was littered with bizarre rhyming slang (I had to use >the glossary in _The Crust on its Uppers_ to make any sense of it. I >suspect that he made up alot of it.) The plot was pathetically thin. I couldn't disagree more! A 'New Statesman' reviewer called the Factory series 'Hellishly bleak and moving', and that about sums it up for me. These books had a big impact on me -- I thought they showed an extraordinary depth of humanity, reminiscent in some ways of Chandler, intensified by the very dark depiction of London. I'd say Cook/Raymond is probably the best British noir writer (and there are very few decent ones). I don't remember much rhyming slang (other than 'ring-a-ding' for Bell's whiskey), but I agree you shouldn't read 'He Died With His Eyes Open' for the tense plot: it's not a thriller (though try some of the later ones in the series). There's some interesting detection and analysis, but Cook/Raymond is more interested in understanding what has happened to the victim and the motivations for the murder, than in catching the killer. I'm tempted to say that you need to know London to have much liking for the Factory books, but it turns out that Cook/Raymond's biggest audience is in France. Two of his books are available only in French, and two very excellent French films were made of the the fist two in the series 'He Died with his Eyes Open' and 'The Devil's Home on Leave' ('On ne Meurt que 2 Fois' and 'Les Mois d'Avril sont Meurtiers'). It's interesting that, like Cook/Raymond, none of the great French noir writers have had any impact in the US -- in fact, hardly any have even been translated. Apparently the Factory series is in production at the BBC, so we'll see if this makes any difference. I just hope they cast the right people. Cheers, Mike - # RARA-AVIS: To unsubscribe, say "unsubscribe rara-avis" # to majordomo@icomm.ca