LoLehmann@aol.com wrote: > > Michael wrote : > > >>we tried to define terms like hardboiled and noir simply by pinpointing > > >to their original use, and left their current meaning out of the picture. > > > This seems inaccurate. All anyone has been doing is speculating about > > meanings of terminology, not to try to come to a single consensus which we > > would all then have to adhere to, but to explore our own various > > understandings of what "hard-boiled" and "noir" mean. If you or anyone > > else wants to talk about "current meaning," 90's crime fiction, whatever, > > that would be Great. I am still very unclear as to what your criticisms > > of the ongoing discussion are. Is it necessary to criticize others' modes > > of inquiry in order to steer the conversation in a new direction? Michael > > Hey, I'm not criticizing your methods ! :) Check my message, I said : 'we', > including myself among the speculators. I merely tried to bounce off > Etienne's long post, to open new areas of investigation. > > That said, I think that maybe, just maybe, we've done enough 'speculating > about meanings of terminology'. We came to the conclusion that 'hardboiled' > refers more to the style of writing, and 'noir' to the contents of the story > (to make a long story short). And the last few posts didn't advance the > discussion much. > > I'm not specially interested in "current meanings", but an historic > perspective on the evolution of the genre seems likely to shed some new > lights on our understanding of the terms used here. For instance, Etienne's > statement that the last 30 years' westerns were hardboiled fiction too... > > Comments, anyone ? > > Laurent > - > # RARA-AVIS: To unsubscribe, say "unsubscribe rara-avis" > # to majordomo@icomm.ca Right On! Laurent is dead, (excuse the unintentional pun), right -- "hardboiled" is the style and "noir" is the content. That is the symbiosis toward which I have been scrabbling in the dark. This is a true insight, and I, for one, am indebted. I can now look at the corpus of "hardboiled" and "noir" texts, both literary and cinematic, historical and contemporary, in a new light. It may, ultmately, prove to be only a false dawn, but, oh, how brightly doth it shine! David Skene-Melvin ann.melvin@sympatico.ca - # RARA-AVIS: To unsubscribe, say "unsubscribe rara-avis" # to majordomo@icomm.ca