BOOK REVIEW: The Adventures of Max Latin, by Norbert Davis; Mysterious Press, 1988. Introduction by John D. MacDonald. ISBN 0-89296-932-6. Contents: *Watch me kill you *Don't give your right name *You can die any day *Give the devil his due *Charity begins at Homicide. As John D. MacDonald notes in his excellent introduction to this collection of five Davis novellas, Norbert Davis never achieved widespread recognition by the general public; nowadays his work is known mainly to mystery specialists and pulp fiction fans. His output consists of a very large number of stories and novellas written for the pulp market, a few published in the "slicks", and three novels, all of them long out of print in the United States. His suicide by carbon monoxide poisoning in 1949 at the age of forty marked the end of a career that, while fairly successful financially, never had the luster or critical recognition of Chandler's or Hammett's. Yet his stories have been chosen over and over for reissue in mystery anthologies, where they are periodically "rediscovered" by new generations. Not only does Davis not pale in the company of recognized luminaries like Hammett, Chandler, or Paul Cain, but he speaks in a distinctly original voice, sprinkled with a very particular, modern brand of humor (with marked mockery of the genre itself), and an accomplished style that distances him considerably from the pack of pulp writers - a hard-working group estimated by some at over 1200 writers in the heyday of the genre. The five novellas collected in the present volume all originally appeared in Dime Detective between 1941 and 1943; Max Latin owns a restaurant, in which a booth serves as the office out of which he works as an all-purpose consultant.If you want something stolen, Max will do it for a fee; he can also be hired to murder, extort, rob, threaten, lie - and investigate. He is constantly in and out of jail. Latin is seconded in his exploits by master chef Guiterrez - an exquisite cook who despises the clientele and is viciously and deliberately rude to them, not deeming them worthy of his art and forever hoping they'll disappear - and a cast of bizarre waiters who double as backup heavies, snoops,and alibi-providers whenever there is trouble. In these fast-paced stories trouble settles in quickly, usually no later than the second page. Thus in "Watch me kill you", Latin is hired by a rich heiress's husband to convince her cousin, a talented artist, to sell her some of his paintings. The catch: years before she had refused to help finance her cousin's art studies in Paris; mortally offended, the painter has become her enemy and made her a laughing stock among art collectors by making it impossible for her to buy any of his work. The adventure that ensues is built around the painter's mysterious murder, and is filled with crackling dialogue and double entendres, not reaching a resolution until the last page. The remaining novellas are every bit as good, with a high-point in "Give the devil his due", a riotously funny tale of disappearance, greed, and deceit among the rich. If you have never heard of Davis, you owe it to yourself to make his acquaintance by reading about master crook Max Latin. If you have, here is an essential addition to the bibliography of a writer who wrote against formula and got away with it, time after time. --------------------------------------------------------------------- Reviewed by Mario Taboada (C) 1997 - # RARA-AVIS: To unsubscribe, say "unsubscribe rara-avis" # to majordomo@icomm.ca